Songs with Earlier Histories Than the Hit Version

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Tagged: Creedence Clearwater Revival

I Put a Spell on You

First recorded by “Screamin’ Jay” Hawkins (1955).
Re-recorded by “Screamin’ Jay” Hawkins (1956).
Hit versions by Nina Simone (US #120/R&B #23/UK #49 1965 |UK #28 1969), The Alan Price Set (US #80/UK #9 1966), The Crazy World of Arthur Brown (UK #111 1968), Creedence Clearwater Revival (US #58 1968), Bryan Ferry (UK #18 1993), Sonique (UK #6 1998 |UK #8 2000), Annie Lennox (US #97/UK #63/FRA #29 2014).
Also recorded by Bette Midler (1995), Jeff Beck & Joss Stone (2010).

From the wiki: “‘I Put a Spell on You’ was written in 1956 by Jalacy ‘Screamin’ Jay’ Hawkins. Hawkins first recorded the song as a ballad during his stint with Grand Records in late 1955. However, that version was not released at the time (it has since been reissued on Hawkins’ UK compilation The Whamee 1953–55).

“The following year, Hawkins re-recorded the song for Columbia’s Okeh Records. Of the latter recording, Hawkins remembers producer Arnold Maxin bringing in ‘ribs and chicken and got everybody drunk, and we came out with this weird version … I don’t even remember making the record. Before, I was just a normal blues singer. I was just Jay Hawkins. It all sort of just fell in place. I found out I could do more destroying a song and screaming it to death.’

Midnight Special

First recorded (as “Pistol Pete’s Midnight Special”) by Dave Cutrell (1926).
Also recorded (as “The Midnight Special Blues”) by Sam Collins (1927).
Hit versions by Lead Belly (1934), Wilma Lee & Stoney Cooper (C&W #4 1959), Paul Evans (US #16/UK #41 1960), Johnny Rivers (US #20/CAN #36/AUS #86 1965).
Also recorded by Harry Belafonte (1962), Creedence Clearwater Revival (1969).

From the wiki: “‘Midnight Special’ was first commercially recorded on the OKeh label in 1926 as ‘Pistol Pete’s Midnight Special’ by Dave ‘Pistol Pete’ Cutrell (a member of McGinty’s Oklahoma Cow Boy Band). (In March 1929, the band, now named ‘Otto Gray and the Oklahoma Cowboys’, recorded the song again, this time with the traditional title using only the traditional lyrics.)

“Sam Collins recorded the song commercially in 1927 under the title ‘The Midnight Special Blues’ for Gennett Records. Collins’ version also follows the traditional style but his recording was the first to name the woman in the story, Little Nora, and he was the first singer to refer to the Midnight Special’s ‘ever-living’ light. In 1934 Huddie William ‘Lead Belly’ Ledbetter recorded a version of the song at Angola Prison for John and Alan Lomax, who mistakenly attributed it to him as the author. Ledbetter recorded at least three versions of the song, including one in 1940 with the Golden Gate Quartet, a gospel group.