First recorded by The Quinto Sisters (1964).
Popular version by Burl Ives (1964 |MOR #30 1998 |US #38 2017).
From the wiki: “‘A Holly Jolly Christmas’, also known as ‘Have a Holly Jolly Christmas’, is a Christmas song written by Johnny Marks. It was the title song of The Quinto Sisters’ first album, Holly Jolly Christmas, recorded in June 1964 for Columbia Records, featuring guitarist Al Caiola with arrangements by Frank Hunter and Marty Manning.
“The song was also featured in the 1964 Rankin-Bass Christmas special, Rudolph the Red-Nosed Reindeer, in which Burl Ives voiced the narrator. This version was also included on the soundtrack album.
Based on ‘Jimmy Crack Corn’ by The Sons of the Pioneers (1934).
Also based on “Blue Tail Fly” by Burl Ives & the Andrew Sisters (1947).
Hit version by Johnny & the Hurricanes (US #15/UK #8 1959).
From the wiki: “‘Jimmy Crack Corn’ and its derivative, ‘Blue Tail Fly’, were songs which first became popular during the rise of blackface minstrelsy in the 1840s through performances by the Virginia Minstrels. Often credited to Dan Emmett, who also wrote ‘Dixie’, both ‘Jimmy Crack Corn’ and ‘Blue Tail Fly’ regained currency as folk songs in the 1930s at the beginning of the American folk music revival and have since become popular children’s songs.
“Over the years, variants of ‘Jimmy Crack Corn/Blue Tail Fly’ appeared – among them, a ‘rock ‘n roll’ arrangement by Johnny & the Hurricanes released in 1959.
First recorded (as “Big Rock Candy Mountains”) by Harry McClintock (1928).
Popular versions by Burl Ives (1949), Pete Seeger (1957), Dorsey Burnette (B-side US #102 1960).
From the wiki: “‘Big Rock Candy Mountain’, first recorded by Harry McClintock in 1928, is a folk music song about a hobo’s idea of paradise – a place where ‘hens lay soft boiled eggs’ and there are ‘cigarette trees’. McClintock claimed to have written the song in 1895, based on tales from his youth hobo-ing through the United States, but some believe that at least aspects of the song have existed for far longer. McClintock was a member of the Industrial Workers of the World (I.W.W.), and the author of other labor songs as ‘Haywire Mac’, ‘Sam Bass’ and ‘Hallelujah Bum Again’. His original 1928 recording was used on the O Brother, Where Art Thou soundtrack (minus the plural form). The song achieved widespread popularity in 1949 when a sanitized version intended for children was recorded by Burl Ives. A version recorded in 1960 by Dorsey Burnette reached #102 on Billboard’s chart.
Inspired by “Thrills That I Can’t Forget” by ‘John Ferguson’ (1925).
Inspired by “I’m Thinking Tonight of My Blue Eyes” by The Carter Family (1929).
Inspired by “Great Speckled Bird” by Roy Acuff (1936).
First recorded (as “Wild Side of Life”) by Jimmie Heap & The Melody Masters (1951).
Hit versions by Hank Thompson (C&W #1 1952), Burl Ives & Grady Martin & His Slew Foot Five (US #30/C&W #6 1952), Tommy Quickly & The Remo 4 (UK #33 1964), Freddy Fender (C&W #13 1976), Status Quo (UK #9 1976).
From the wiki: “‘The Wild Side of Life’ carries one of the most distinctive melodies of early country music, used in ‘Thrills That I Can’t Forget’ (recorded by Welby Toomey, using the pseudonym ‘John Ferguson’ in 1925), ‘I’m Thinking Tonight of My Blue Eyes’ (by the Carter Family in 1929), and ‘Great Speckled Bird’ (by Roy Acuff in 1936). That, along with the song’s story of a woman shedding her role as domestic provider to follow the night life, combined to become one of the most famous country songs of the early 1950s when recorded as ‘Wild Side of Life’, first by Jimmie Heap & the Melodie Masters and, then, a #1 hit by Hank Thompson.
“According to Country music historian Bill Malone, ‘Wild Side’ co-writer William Warren was inspired to create the song after his experiences with a young woman he met when he was younger — a honky-tonk angel, as it were — who ‘found the glitter of the gay night life too hard to resist.’
