Songs with Earlier Histories Than the Hit Version

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Category: Pop

1970s, Pop

September Morn

Co-written and first recorded (as “C’est en septembre”) by Gilbert Becaud (1978).
Hit version by Neil Diamond (US #17/MOR #2/CAN #15/AUS #23/NZ #19 1979).

From the wiki: “‘September Morn’ was adapted from ‘C’est en septembre’ (‘In September’) co-written by Gilbert Becaud (‘Let It Be Me‘) and Neil Diamond (‘Red Red Wine‘, ‘I’m a Believer‘), with original French lyrics by Maurice Vidalin. It was first recorded by Becaud in late 1978 for release in France in January, 1979. Diamond would release ‘September Morn’ as his lead promotional single for the album September Morn in late 1979.

“Becaud began collaborating with Neil Diamond in the 1970s, together writing ‘Love on the Rocks’, ‘Mama Don’t Know’, and Becaud was among Diamond’s collaborators for the soundtrack music to The Jazz Singer. Becaud was a popular French singer-songwriter whose dynamic stage act and charismatic crooning earned him the soubriquet ‘Monsieur 100,000 volts’; he also wrote more than 400 songs, the best-known of which, ‘Et Maintenant’ (1962), (translated as ‘What Now My Love‘) was recorded by numerous singers, including Frank Sinatra, Barbra Streisand and Shirley Bassey.”

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1960s, Pop

Make the World Go Away

First recorded by Timi Yuro (US #24/CAN #11 1963).
Other hit versions by Ray Price (C&W #1 1963), Eddy Arnold (US #6/C&W #1/MOR #1 1965), Donny & Marie Osmond (US#44/MOR #31/UK #18 1975).
Also recorded by Jim Reeves (1964).

From the wiki: “‘Make the World Go Away’ was composed by Hank Cochran (‘I Fall to Pieces’) and first recorded by Timi Yuro in June, 1963. It has become a Top 40 popular success three times: for Yuro (1963), for Eddy Arnold (1965), and for the brother-sister duo Donny & Marie Osmond (1975) and topped the Country Singles chart (Ray Price, 1963). ‘Make the World Go Away’ was also recorded in July, 1964 by Jim Reeves, at his last recording session before dying in a plane crash two weeks later, for what would become the album The Jim Reeves Way.

“For Price, ‘Make the World Go Away’ was one of his first songs to feature an orchestra and female chorus, a trend that he would continue with other songs like ‘For the Good Times’. Arnold’s production was similarly recorded, the so-called ‘Nashville Sound’, an early mixture of Pop with Country music, and became one of the most popular recordings of 1960s Country music and is generally considered to be Arnold’s best-known song.”

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1970s, Pop

Somewhere in the Night

First single release by Yvonne Elliman (US August 1975).
Also recorded by Richard Kerr (UK August 1975), Kim Carnes (1975).
Hit versions by Batdorf & Rodney (US #69 1975), Helen Reddy (US #19/MOR #2/CAN #27 1975) and Barry Manilow (US # 9/UK #42 1978).

From the wiki: “The first song composed by Richard Kerr (‘Mandy‘, 1971) and Will Jennings (‘Back in the High Life Again’, 1987) as a team, ‘Somewhere in the Night’ appeared on four 1975 album releases: You Are a Song by Batdorf & Rodney and Rising Sun by Yvonne Elliman both released in June 1975, No Way to Treat a Lady by Helen Reddy released July 1975, and Kim Carnes’ November 1975 eponymous album release. The Yvonne Elliman version was released as a US single in August 1975, which also saw the release of a ‘Somewhere in the Night’ single in the UK recorded by the song’s co-writer Richard Kerr.

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1910s, Pop

Let Me Call You Sweetheart

First recorded by Albert Clough (US #2 1911).
Other popular versions by The Peerless Quartet (US #1 1911), Oliver Hardy & Stan Laurel (1938), Mitch Miller (1961), Timi Yuro (MOR #15 1962).
Also recorded by Bing Crosby (1934).

From the wiki: “‘Let Me Call You Sweetheart’ was written by Leo Friedman with lyrics by Beth Slater Whitson. The song was published in 1910 and first recorded by Albert Clough in May, 1911. The Peerless Quartet recorded their version in November, 1911, topping the sheet music chart that year. The song was also comically sung by Oliver Hardy (with Stan Laurel playing the tuba) in the 1938 motion picture Swiss Miss.”

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1990s, Pop

(To) Make You Feel My Love

First released by Billy Joel (US #50 1997).
Other hit versions by Garth Brooks (C&W #1/MOR #8/CAN #7 1998), Adele (UK #26 |UK #4/NETH #3/SCOT #4/IRE #5 2008 2010 |UK #34 2011).
Also recorded by Bob Dylan (1997), Bryan Ferry (2007).

From the wiki: “‘Make You Feel My Love’ was written by Bob Dylan that appeared on his 1997 album Time Out of Mind. It was first commercially released by Billy Joel, under the title ‘To Make You Feel My Love’, before Dylan’s version appeared later that year. It has since been covered by numerous performers and has proved to be a commercial success for recording artists such as Garth Brooks (from the movie Hope Floats), and Adele.

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1910s, Pop

My Melancholy Baby

First recorded by Walter Scanlan (US #9 1915).
Other hit versions by Gene Austin (US #3 1928), Teddy Wilson & His Orchestra (US #6 1936), Bing Crosby (US #14 1939), Sam Donahue & His Orchestra (US #5 1945), Tommy Edwards (US #26/R&B #27/UK #29 1959).

From the wiki: “‘Melancholy Baby’ was written by Ernie Burnett with lyrics by George Norton. The song was first publicly performed (as ‘Melancholy’) in 1912 by William Frawley (‘Fred Mertz’ on I Love Lucy, and ‘Bub’ on My Three Sons). According to IMDb:

‘Frawley was appearing at the Mozart Cafe in Denver, Colorado. He happened to visit a pub on Curtis Street, where he knew the proprietor. Knowing Bill was looking for a new song for his act, the proprietor directed him to the pub’s back room, where Ernie Burnett and George Norton were in the process of composing ‘My Melancholy Baby’.

‘Frawley introduced the song that very night at the Mozart Cafe. In the audience was writer Damon Runyon, well known for his drinking. After Frawley introduced the song, Runyan, drunk and maudlin, repeatedly called out ‘Get Frawley to sing ‘Melancholy Baby’!’ throughout the rest of the evening. Bill sang many encores. The comedy staple of a drunk requesting ‘My Melancholy Baby’ actually has a basis in fact.’

“Forty-five years later, Frawley would record ‘My Melancholy Baby’ in 1957, for his album Bill Frawley Sings the Old Ones.

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1960s, Pop

Help Yourself

First performed (as “Gli occhi miei”) by Wilma Goich (1968), Dino (1968).
First recorded (as “Gli occhi miei”) by Riccardo del Turco (1968).
Hit version by Tom Jones (US #35/UK #5/AUS #1/IRE #1/GER #1 1968).

[Wilma Goich, “Gli occhi miei” San Remo Festival performance (1968)]

[Dino, “Gli occhi miei” San Remo Festival performance (1968)]

From the wiki: “‘Help Yourself’ is a reworked English-language version of the Italian song ‘Gli Occhi Miei’, written by Carlo Donida with lyrics by Mogol and originally performed by both Dino (Eugenio Zambelli) and Wilma Goich in separate performances at the 1968 San Remo song festival, and was first commercially recorded by Riccardo del Turdo in 1968.

“Jack Fishman wrote the English lyrics, which bear no relation to the original Italian, and the song was retitled ‘Help Yourself’. Recorded by Tom Jones, it became one of his best-known hits and reached the Top 5 in the UK in its original run. ‘Help Yourself’ topped the charts in Ireland, Germany and Australia. The American single peaked at #35 on the Billboard Hot 100.”

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1960s, Pop

Goodbye

Written and first recorded (as a demo) by Paul McCartney (1968).
Hit version by Mary Hopkin (US #13/UK #2/CAN #14/NETH #1 1969).

From the wiki: “‘Goodbye’ is a song written by Paul McCartney (but credited to Lennon–McCartney) and performed by Mary Hopkin. The song was conceived as a follow-up to the success of Hopkin’s first single, produced by McCartney, titled ‘Those Were the Days‘, highlighted on her debut album Postcard, one of the first records issued by the newly founded Apple Records.

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1950s, Pop

Till

First recorded by The Percy Faith Orchestra (US #63 1957).
Other hit versions by Roger Williams (US #22 1957), Tony Bennett (UK #38 1961), The Angels (US #14 1961), The Vogues (US #27/MOR #5 1968), Tom Jones (UK #2 1971).

From the wiki: “Since there are many songs with ‘Till’ in the title, let it be clear that this is the one that starts: ‘Till the moon deserts the sky’, with music by Charles Danvers and English lyrics by Carl Sigman, and adapted from the French song ‘Prière Sans Espoir’ recorded in 1956. The Percy Faith Orchestra (with chorus) charted first, in April 1957. Later the same year, Roger Williams released a similarly mostly-instrumental recording that reached into the US Top 40. In 1961, Shirley Bassey and Tony Bennett each recorded all-vocal covers of ‘Till’, with Bennett’s version reaching #38 on the UK Single chart. Girl-group The Angels originated in New Jersey as The Starlets. After a failed attempt at record deal, producer Gerry Granahan (‘Ne-Ne Na-Na Na-Na Nu-Nu‘) heard some hit potential with a song The Starlets had performed for him in their audition, ‘Till’. ‘Till’ became the group’s first single under their new name, The Angels, and also their first hit (US #14) released by Granahan’s Caprice label in 1961.

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1960s, Pop

Stoney End

Written and first recorded by Laura Nyro (1966).
Also recorded by The Blossoms (B-side 1967 |A-side 1969), The Stone Poneys (1968), Peggy Lipton (US #121 1968).
Hit version by Barbra Streisand (US #6/MOR #2/CAN #5/UK #27 1971).

From the wiki: “Laura Nyro (1947–1997) was an American songwriter, singer, and pianist. She achieved critical acclaim with her own recordings, particularly the albums Eli and the Thirteenth Confession (1968) and New York Tendaberry (1969), and had commercial success with artists such as Barbra Streisand and The 5th Dimension recording her songs.

“Nyro’s style was a hybrid of Brill Building-style New York pop, jazz, gospel, rhythm and blues, show tunes, rock, and soul. As a child, she taught herself piano, read poetry, and listened to her mother’s records by Leontyne Price, Billie Holiday and classical composers such as Ravel and Debussy. She composed her first songs at age eight. With her family, she spent summers in the Catskill Mountains, where her father played the trumpet at resorts.

“‘Stoney End’ was first recorded by Nyro in 1966 and released in 1967 on the Verve/Folkway album More Than a New Discovery (later reissued as Laura Nyro, 1969, and as The First Songs, 1973). For the single version of ‘Stoney End,’ Nyro was forced to rework some of the lyrics that referred to the Bible, because Verve felt it would cause too much controversy.

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1950s, Pop

All Alone Am I

First performed (in Greek, as “Μην τον ρωτάς τον ουρανό”) by Tzeni Karezi (1962)
First recorded (as “Don’t Ask the Sky”) by Mary Lo (1962).
Hit version (in English) by Brenda Lee (US #3/MOR #1/UK #7/AUS #10 1962).

From the wiki: “‘All Alone Am I’ was composed by the Greek composer Manos Hadjidakis and originally recorded in Greek by Tzeni (Jenny) Karezi for the soundtrack of the 1962 film To nisi ton genneon (The Island of the Brave) and titled “Μην τον ρωτάς τον ουρανό” (‘Don’t ask the sky’). Greek singer Mary Lo recorded and released her own recording of the song (in Greek) as a single in 1962.

“Later the same year, a new version of the song was produced in Nashville, TN, by Owen Bradley with English lyrics (by Arthur Altman). This arrangement was recorded by Brenda Lee for her 1962 album, All Alone Am I. ‘All Alone Am I’ was released as a promotional single in late 1962, reaching #3 on the Billboard Hot 100 while also becoming Lee’s first single to chart on the Billboard Easy Listening chart, reaching #1 in late 1962. In addition, the single reached #7 on the UK Singles chart, and peaked at #10 on the Australian singles chart.”

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1950s, Pop

Just Walking in the Rain

First recorded by The Prisonaires (1953).
Hit version by Johnny Ray (US #2/UK #1 1956).

From the wiki: “The Prisonaires were real prisoners doing time at the Tennessee State Prison in Nashville when this recording took place at Sun Records, in Memphis, handcuffed and at gunpoint. Writers Johnny Bragg and Robert Riley got their royalties (including those on Johnny Ray’s hit version) the day they were released. The best-known version of the song was recorded by Johnnie Ray in 1956, staying atop the UK Singles Chart for seven weeks. Ray initially disliked the song, but sang it based on the recommendation of Mitch Miller.”

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1970s, Pop

I’ve Never Been to Me

First recorded by Randy Crawford (1976).
Hit versions by Nancy Wilson (R&B #47 1977), Mary McGregor (MOR #29 1978), Charlene (US #97 1977 |US #3/MOR #7/C&W #60/UK #1/CAN #1/IRE #1/AUS #1 1982).
Also recorded by The Temptations (1984).

From the wiki: “‘I’ve Never Been to Me’ is the title of a ballad, written and composed by Ron Miller and Kenneth Hirsch in 1976 and first recorded by Randy Crawford on her 1976 album Everything Must Change. The song is best known as lyrically formatted for a female vocalist (see below for male-oriented arrangement) and as such is addressed to a desperate wife and mother who would like to trade her prosaic existence for the jet-setting lifestyle the song’s narrator has led.

“Nancy Wilson’s cover was the first version of the song to be released as a single, serving as the title track of her June 1977 album, reaching #47 on the Billboard’s R&B chart.

“Charlene’s ‘I’ve Never Been to Me’ had two releases between 1976-1977. The first, in 1976 for her debut album, the self-titled Charlene, was recorded with a spoken bridge. (This would be the version that saw its subsequent re-release in 1982.) When her next album, Songs of Love, was released six months later, the song was added without the spoken bridge. It was this version that was first released as a promotional single, in September 1977, and it became Charlene’s third consecutive single to stall in the lowest reaches of the Hot 100 in Billboard (#97).

“Meanwhile, in February 1978, a mid-tempo recording of ‘I’ve Never Been to Me’ by Mary McGregor was released as the advance single from her In Your Eyes album> It became a modest hit, reaching #29 on Billboard’s Easy Listening chart.

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1940s, Christmas, Pop

Sleigh Ride

First recorded by The Boston Pops Orchestra (1949).
Hit instrumental version by Leroy Anderson & His “Pops” Concert Orchestra (1950| re-recorded 1959).
Popular vocal versions by Johnny Desmond (1950), Johnny Mathis (1958), The Ronettes (1963), The Carpenters (1978).

From the wiki: “Leroy Anderson had the original idea for the piece during a heat wave in July 1946; he finished the work in February 1948. The orchestral version was first recorded in 1949 by Arthur Fiedler and The Boston Pops Orchestra. Composer Anderson would record an instrumental version of his own song in 1950. He re-recorded the song in stereo in 1959, a version that has since gone on to become the classic instrumental production.

“Lyrics, about a person who would like to ride in a sleigh on a winter’s day with their love, were written by Mitchell Parish in 1950. Johnny Desmond, with the Ray Charles Singers, first recorded the vocal version in 1950. Other popular vocal recordings have been released by Johnny Mathis (1958), The Ronettes (1963), and The Carpenters (1978). ”

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Country, Pop

Broken Hearted Me

First recorded by England Dan & John Ford Coley (1978).
Hit version by Anne Murray (US #12/C&W #1/CAN #15 1979).

From the wiki: “‘Broken Hearted Me’ was written by Randy Goodrum (‘You Needed Me’, ‘It’s Sad to Belong’), and was first recorded in 1978 by England Dan & John Ford Coley for their album Dr. Heckle and Mr. Jive. It was later covered by Anne Murray. ‘Broken Hearted Me’ was Murray’s fourth #1 single on the US Country chart, and her seventh overall appearance on the Billboard Hot 100.”

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1940s, Pop

You’ll Never Walk Alone

First commercial recording by Frank Sinatra (US #9 1946).
Other hit versions by Roy Hamilton (R&B #1 1954), Gerry & the Pacemakers (US #48/UK #1 1963).

http://youtu.be/BYMm5q_tmpQ

From the wiki: “‘You’ll Never Walk Alone’ is a show tune from the 1945 Rodgers and Hammerstein musical Carousel. Besides the recordings of the song on the Carousel cast albums and the film soundtrack, the song has been recorded by many artists, with notable hit versions by Frank Sinatra, Roy Hamilton (‘Unchained Melody‘), and Gerry & the Pacemakers (‘Don’t Let the Sun Catch You Crying‘).

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1900s, Pop

Bring Back My Bonnie to Me

First recorded by Hayden Quartet (1901).
Hit versions by Alma Gluck & the Orpheus Quartet (US #10 1919), Vipers Skiffle Group (1955), Duane Eddy (as “Bonnie Come Back”, US #23/UK #12 1960), Tony Sheridan & the Beat Brothers (as “My Bonnie”, GER #5 1961 |UK #48 1963 |US #26 1964), Bonnie Brooks (as “Bring Back My Beatles (to Me)”, 1964).

From the wiki: “In 1881, under the duo of pseudonyms H.J. Fuller and J.T. Wood, Charles E. Pratt published sheet music for ‘Bring Back My Bonnie to Me’. The first recording of the song was done in 1901 by the Hayden Quartet. Alma Gluck charted with her 1919 recording. A Duane Eddy rock ‘n roll instrumental cover in 1960 charted in both the UK and the US.

“‘My Bonnie …’ became a part of the UK skiffle craze repertoire in the mid-1950s when recorded by Vipers Skiffle Group in 1955. In popular culture, though, the song is now best remembered as the one that caught Brian Epstein’s attention in 1962: the 1961 recording by Tony Sheridan backed by the Beatles (recording as ‘The Beat Brothers’). The Beatles were familiar with the Vipers’ recordings, having themselves evolved from the Liverpool skiffle group, the Quarrymen, and would go on to record another Vipers song in 1969 – Maggie May – that would appear on the album Abbey Road.

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1960s, Pop

I Go to Pieces

First recorded by Lloyd Brown (1964).
Hit versions by Peter & Gordon (US #9 1965), Cotton Lloyd & Christian (US #66/MOR #10/UK #51 1975).
Also recorded by Del Shannon, writer (1965).

From the wiki: “Del Shannon (‘Runaway’) wrote ‘I Go to Pieces’ for an R & B singer named Lloyd Brown whom Shannon discovered at a Detroit, Michigan nightclub. Shannon arranged and produced Brown’s recording but was unable to find a label interested in releasing the track. Shannon also attempted to record ‘I Go to Pieces’ for himself in an August 1964 New York City recording session but was unable to cut a satisfactory vocal of the song before his allotted three-hour session ran out. (Shannon would record a cover of his own song a year later, in 1965, after Peter & Gordon (‘A World Without Love‘) had already scored their US Top 10 hit with it.)

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1950s, Pop

Misty

First recorded by The Erroll Garner Trio (1954).
Also recorded by Dakota Staton (1957).
Hit versions by Sarah Vaughn (US #106 1959), Johnny Mathis (US #12/R&B #10/UK #12 1959), Lloyd Price (US #21/R&B #11 1963), The Vibrations (US #63/R&B #26 1965), “Groove” Holmes (US #44/MOR #7/R&B #12 1965), Ray Stevens (US #14/MOR #8/C&W #3/UK #2 1975).

From the wiki: “‘Misty’ was written by Errol Garner in 1954 and first recorded for his 1955 album Contrasts. The song was later paired with lyrics by Johnny Burke and would becoame the signature song of Johnny Mathis. Garner’s recording was inducted into the Grammy Hall of Fame in 1991; Mathis’s version of the song was inducted in 2002.

“Lyrics to the song were written by Johnny Burke a couple of years later. According to Mary Burke Kramer:

‘[Johnny] had been working every day with his pianist, Herb Mesick, who was helping him put things down on paper. Herb had heard the melody to ‘Misty,’ and knew Erroll Garner, and was very fond of it. He told Johnny about it, but by that time, Johnny had made a decision not to collaborate anymore. After he and Jimmy Van Heusen had separated, on good terms, he had been working on his own writing both music and lyrics. Herb was very persistent. Whenever Johnny would enter the room, Herb would start playing the tune. Finally, Johnny said, ‘Alright, give me the damn music, and I’ll do it. So he went into the bedroom, and two or three hours later, he came out with the lyrics.’

– Making ‘Misty’: The Legendary Johnny Mathis Recording, by Joe Manning, 2010

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1970s, Pop

I’d Rather Leave While I’m in Love

Co-written and first recorded by Carole Bayer Sager (1977).
Also recorded by Peter Allen, co-writer (1979).
Hit version by Rita Coolidge (US #38/MOR #3/C&W #32/CAN AC #1 1979).

From the wiki: “I’d Rather Leave While I’m In Love” is a song co-written by Peter Allen (‘Don’t Cry Out Loud‘) and Carol Bayer-Sager, and popularized in 1979 by Rita Coolidge, was first recorded in 1977 by Bayer Sager. Co-writer Allen recorded his own version of ‘I’d Rather Leave While I’m In Love’ in 1979 for his album I Could Have Been a Sailor.

“The song about breaking up was sung originally by its two songwriters, who both had married and later split up with famous spouses: Allen, from Liza Minnelli; Bayer Sager, from producer Andrew Sager.

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2000s, Pop

Somewhere Only We Know

First recorded (as a demo) by Tim Rice-Oxley (2001).
Hit versions by Keane (UK #3 2004), The Cast of Glee (US #42/UK #44 2011), Lily Allen (UK #1 2012).

From the wiki: “‘Somewhere Only We Know’ was performed and composed by English alternative rock band Keane, officially released as their third commercial single. The first demo was composed by Tim Rice-Oxley circa 2001, basing it on David Bowie’s song ‘Heroes’, while hammering on the piano.”

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1920s, Pop

Stardust

Co-written and first recorded (as an instrumental) by Hoagy Carmichael (1927).
Hit versions by Irving Mills & His Hotsy Totsy Gang (US #20 1929), Isham Jones & His Orchestra (US #1 1930), Bing Crosby (US #5 1931), Louis Armstrong (US #16 1931), Frank Sinatra with The Tommy Dorsey Orchestra (US #7 1941), Nat “King” Cole (US #79/UK #24 1957), Billy Ward & His Dominoes (US #12/R&B #5/UK #13 1957), Nino Tempo & April Stevens (US #32 1964).
Also recorded by Jon Hendricks (1990).

From the JazzStandards.com: “On October 31, 1927, Hoagy Carmichael and His Pals recorded ‘Stardust’ at the Gennett Records studio in Richmond, Indiana. Hoagy’s ‘pals,’ Emil Seidel and His Orchestra, agreed to record the medium-tempo instrumental in between their Sunday evening and Monday matinee performances in Indianapolis, seventy miles away. In 1928 Carmichael again recorded ‘Stardust,’ this time with lyrics he had written, but Gennett rejected it because the instrumental had sold so poorly. The following year, at Mills Music, Mitchell Parish was asked to set lyrics to coworker Carmichael’s song. The result was the 1929 publication date of ‘Star Dust’ with the music and lyrics we know today.

“According to the Carmichael, inspiration for the song struck while visiting his old university campus. Sitting on a wall reminiscing about the town, his college days, and past romances, he looked up at the starlit sky and whistled ‘Star Dust’. Richard Sudhalter’s biography ( Stardust Melody: The Life and Music of Hoagy Carmichael) contends that the melody may have begun with fragments, evolving over months and maybe years, but Carmichael preferred to perpetuate a myth that sweet songs are conceived in romantic settings.

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1970s, Pop

After the Love Has Gone

Co-written and first recorded by Bill Champlin (1979 unreleased).
Hit version by Earth, Wind & Fire (1979).
Also recorded by Airplay (1980).

[Bill Champlin video is not currently available]

From the wiki: “‘After the Love Has Gone’ was written by David Foster, Jay Graydon and Bill Champlin. Champlin was the first to record the song (produced by Foster) but the recording went unreleased. Airplay, the recording group formed by Foster and Graydon, did produce and release a cover of ‘After the Love’ in 1980 with Graydon singing lead. Graydon tells the story (from Songfacts.com) of how the song came into being: ‘David Foster produced an album for Jaye P. Morgan in 1976 … Then he was at Motown playing some songs with Jaye to try to get a deal over there. He was in the middle of playing a song and he forgot the chorus, and he ad-libbed the chorus to ‘After The Love Has Gone.’

“‘He comes over to my house, and we went into my little dinky studio. He sits down at the piano, and he says, ‘Listen to this chorus.’ He plays it, and I said, ‘Hey, here’s an idea for a verse.’ And I went, ‘da da dom da da bom ba da da da.’ And he just immediately continued on with that, and we had the whole song written in about a 1/2-hour or 45-minutes.

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